The geometry of creation : architectural drawing and the dynamics of gothic design / Robert Bork
| Signatura | Copia | Colección |
|---|---|---|
| 22/272 | 7271 | Libros modernos desde 1900 |
List of figures
Acknowledgements
Introduction: Geometry and the gothic design process
Explaining the roots of the gothic aesthetic
Methodological problems in the study of gothic geometry
Konrad Hecht's problematic critique of geometrical research
A new approach to the geometry of gothic drawings
The origins of gothic architectural drawing
Villard de Honnecourt
The Reims Palimpsest
The flowering of rayonnant drawing in the Rhineland
Strasbourg
Cologne
Freiburg
Italian drawings up to 1350
Orvieto
Siena
Germanic tower drawings and the elaboration of tradition
Prague
Vienna
Ulm
Regensburg
Frankfurt
Strasbourg
Wider Horizons
Two germanic tabernacles
Building groundplans
Augsburg
Steyr
The cloister drawing
Clermont-Ferrand
Leuven
The italian challenge to the gothic design system
The desing debates at Milan Cathedral
The emergence of classical architecture in the Italian Renaissance
Hermann Vischer and the Hybridization of tradition
How Renaissance design won the communication war
Conclusion: Gothic drawings as traces of the creative process
Bibliography
Index.
p. 441-451
| Localización permanente | Código de barras | Signatura | |
|---|---|---|---|
| Fundación Juanelo Turriano | 7271 | 22/272 |
List of figures
Acknowledgements
Introduction: Geometry and the gothic design process
Explaining the roots of the gothic aesthetic
Methodological problems in the study of gothic geometry
Konrad Hecht's problematic critique of geometrical research
A new approach to the geometry of gothic drawings
The origins of gothic architectural drawing
Villard de Honnecourt
The Reims Palimpsest
The flowering of rayonnant drawing in the Rhineland
Strasbourg
Cologne
Freiburg
Italian drawings up to 1350
Orvieto
Siena
Germanic tower drawings and the elaboration of tradition
Prague
Vienna
Ulm
Regensburg
Frankfurt
Strasbourg
Wider Horizons
Two germanic tabernacles
Building groundplans
Augsburg
Steyr
The cloister drawing
Clermont-Ferrand
Leuven
The italian challenge to the gothic design system
The desing debates at Milan Cathedral
The emergence of classical architecture in the Italian Renaissance
Hermann Vischer and the Hybridization of tradition
How Renaissance design won the communication war
Conclusion: Gothic drawings as traces of the creative process
Bibliography
Index.
p. 441-451
